(ICM)[LP][24/96] Ustad Amir Khan - Khayal - 1968 APE (image+.cue), lossless

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Ustad Amir Khan - Khayal [LP][24/96]
Жанр: ICM
Год выпуска диска: 1968
Производитель диска: India
Аудио кодек: APE
Тип рипа: image+.cue
Битрейт аудио: lossless
Продолжительность: 39:55
Треклист:
SIDE ONE • BARSHA RITU AAI (Raga: MEGH)
SIDE TWO • KAHAN JAAGE RAAT JOGIYA MORE GHAR AAYE (Raga: LALIT)
Khyal (or Khayal, Hindi: ख़्याल, Urdu: خیال) is the modern genre of classical singing in North India. Its name comes from an Arabic word meaning "imagination".
Ustad Amir Khan commands a unique position in the field of North Indian classical vocal music. Born and brought up in the best of traditional atmosphere and himself having carried on a deep research in the practical region of his art. Ustad Amir Khan has reached a stage of achievement which is unparallel in contemporary history of Indian classical music.
SIDE ONE • BARSHA RITU AAI (Raga: MEGH)
Ustad Amir Khan has sung Raga Megh. This melody according to Indian tradition has an association with the rainy season — Megh meaning cloud. The melody is in a pentatonic scale in which the mediant and submediant are absent and the leading note is flat. Ustad Amir Khan has started with a slow Khayal in a very slow rhythm of fourteen beats called Jhoomra (3/4/3/4) and then he has taken up a Tarana in a fast tempo in a rhythm of twelve beats called Ektal (2 x 6).
A tarana is a composition for vocal music in which the words used have no meaning but have a phonetic import that helps form the body of the composition. In both these songs Amir Khan Sahib has indulged in tan improvisations that are surprisingly beautiful for their rhythmic as well as melodic conception.
SIDE TWO • KAHAN JAAGE RAAT
JOGIYA MORE GHAR AAYE (Raga: LALIT)
This is an early morning raga in which the sentiment of the parting night and the same of the day-dawning are simultaneously felt. The emotional richness and depth of Amir Khan's voice and above all the dignified style of rendering the raga have made the song a piece of musical excellence.
The rhythm is Khan Sahib's favourite very slow Jhoomra, a tala of fourteen beats 3/4/3/4. The raga has two subdominants, natural and sharp. The supertonic and submediant are flat and the mediant and leading note are sharp. The scale is like this; ti re (flat) mi fa Ja (fiat) fa (sharp) fa, mi fa (sharp) la (flat) ti so (oct.) ti la (flat) fa (sharp) fa mi, fa (sharp) mi re (flat) do.
Khan Sahib has sung a fast composition in the same raga at the end in trital, the common sixteen beats rhythm, 4/4/4/4.
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- Формат записи (Bit/kHz) 24/96
- Формат раздачи (Bit/kHz) 24/96

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