(Jazz, New Age, Folk-Fusion) [LP] [24/96] Billy Oskay And Micheal O Domhnaill - Nightnoise - 1984 (1st US Pressing), FLAC (tracks+.cue)

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Billy Oskay And Micheal O Domhnaill - Nightnoise
Жанр: Jazz, New Age, Folk-Fusion
Носитель: LP
Год выпуска: 1984
Лейбл: Windham Hill Records/WH-1031
Страна-производитель: US
Аудио кодек: FLAC
Тип рипа: tracks+.cue
Формат записи: 24/96
Формат раздачи: 24/96
Продолжительность: 43:24
A1 Nightnoise
A2 The 19A
A3 Bridges
A4 False Spring
A5 Duo
B1 City Nights
B2 After Five
B3 Menucha (A Place With Water)
B4 The American Lass
B5 The Cricket's Wicket
Источник оцифровки: LP Rip & Full Scan LP Cover: Fran Solo
Код класса состояния винила: NM-
Устройство воспроизведения: Technics SL-1200MK2 Quartz
Головка звукоснимателя: SHURE M97xE With JICO SAS Stylus
Предварительный усилитель: Marantz 2252
АЦП: E-MU 0404
Обработка: DeClick with iZotope RX5: Only Manual (Click per click)
Любой трек
Analyzed folder: /Billy Oskay & Micheal O Domhnaill - Nightnoise (LP)
DR Peak RMS Filename
DR13 -1.38 dB -19.44 dB 01 Billy Oskay & Micheal O Domhnaill - LADO 1- Nightnoise.wav
DR12 -3.68 dB -18.99 dB 02 Billy Oskay & Micheal O Domhnaill - The 19A.wav
DR13 -3.30 dB -19.34 dB 03 Billy Oskay & Micheal O Domhnaill - Bridges.wav
DR13 -4.06 dB -20.72 dB 04 Billy Oskay & Micheal O Domhnaill - False Spring.wav
DR13 -2.00 dB -18.92 dB 05 Billy Oskay & Micheal O Domhnaill - Duo.wav
DR13 -1.54 dB -17.13 dB 06 Billy Oskay & Micheal O Domhnaill - LADO 2- City Nights.wav
DR13 -0.99 dB -19.61 dB 07 Billy Oskay & Micheal O Domhnaill - After Five.wav
DR14 -1.60 dB -19.77 dB 08 Billy Oskay & Micheal O Domhnaill - Menucha (A Place With Water).wav
DR13 -5.38 dB -22.64 dB 09 Billy Oskay & Micheal O Domhnaill - The American Lass.wav
DR12 -1.10 dB -17.21 dB 10 Billy Oskay & Micheal O Domhnaill - The Cricket's Wicket.wav
Number of files: 10
Official DR value: DR13
Bass – Tommy Thompson (tracks: A1, B1)
Design [Graphic Design] – Anne Ackerman Robinson
Engineer – Billy Oskay
Engineer [Assistance] – Micheal O Domhnaill*
Engineer [Mix Consultant] – Steven Miller
Engineer [Mix] – Billy Oskay, Mike Moore (2)
Guitar, Whistle, Piano, Harmonium – Micheal O Domhnaill* (tracks: A3, B2, B4, B5)
Mastered By – Bernie Grundman
Other [Itself] – Cricket
Photography By [Cover] – Steve Harper
Photography By [Liner] – Michael Moran
Piano – Billy Oskay (tracks: A4, B1, B3)
Producer – Billy Oskay, Micheal O Domhnaill*
Violin, Viola – Billy Oskay
Written-By – B. Oskay* (tracks: A1, A4 to B1, B3), D. Bottemiller (tracks: A4), M. O Domhnaill* (tracks: A2, A3, B2, B4, B5)
Nightnoise is the first Windham Hill album to include Celtic music influence, at a time before Celtic music was considered one of the pillars of New Age (along with synthesizer washes and the more folk-inspired music that Windham Hill is best known for. Regardless, Oskay and O Domhnaill cover new ground here and there is much to like.
Both artists have such a large body of work, and such an impressive story to tell that I have held off writing any reviews on their work hoping to have the time to do justice to their efforts and to tell their story in a way that would enhance your enjoyment of this rich and ambitious album. That’s not going to happen, but I encourage you to do a little searching and you’ll quickly find a lot more to listen to that is well worth your while.
Within the Windham Hill catalog, Nightnoise fits well within the trajectory started by Clockwork with ensemble performances emphasizing song structure and ambience over individual performances. There is enough complexity to the music to sit and listen to it with focus, but the moods shift subtly, and the feeling is always so pleasant that this has become one of my go-to dinner music albums, where it serves as a background to friendly conversation and relaxed entertaining.
Like Montreaux, the album name became the de facto name of the band for future releases.
Review by johnnydark, windhaming.com
Mastered At – Bernie Grundman Mastering
Manufactured By – Windham Hill Productions Inc.
Distributed By – A&M Records, Inc.
Recorded during 1983 at the home of Billy Oskay, Portland, OR
Mixed in february 1984, Recording Associates; Portland, OR
Special thanks to Windell Oskay, Peggy Feindt, Tom Bocci, Barry Poss, Steven Miller and Mike Moore
1962 Viola, 1964 Violin: Wm. F. Oskay
1977 Guitar; Kenny White
Yamaha C7D Grand Piano, Harmonium and Whistles
Manufactured by Windham Hill Records
A Division of Windham Hill Productions Inc.
Box 9388, Stanford, CA 94305
© Windham Hill Records, 1984
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